All this week on Code Switch and on air we've been digging into the findings of a survey of African-American views of their communities, finances and social lives. We conducted the poll with the Robert Wood Johnson Foundation and the Harvard School of Public Health.
<a href="http://www.judyblume.com/about.php">Judy Blume</a> is the author of many books for kids and teens, including <em>Are You There God? It's Me, Margaret</em>, <em>Tales of a Fourth Grade Nothing</em> and <em>Blubber</em>. Her 1981 novel<em>, Tiger Eyes, </em>has just been adapted into a movie.
Mention Judy Blume to almost any woman under a certain age and you're likely to get this reaction: Her face lights up, and she's transported back to her childhood self — curled up with a book she knows will speak directly to her anxieties about relationships, self-image and measuring up.
In Southern California, a nuclear power plant that supplied energy to more than a million homes is shutting down for good. As NPR's Ina Jaffe reports, the San Onofre nuclear plant has been idle for repair since January of 2012.
INA JAFFE, BYLINE: The twin, white domes at the San Onofre nuclear power plant have been landmarks on the California coast for more than four decades.
If you're having trouble picturing a health "datapalooza," think 2,000-plus data geeks, entrepreneurs, industry bigwigs and bureaucrats stuffed into hotel conference rooms with lots of coffee and PowerPoints.
Early this week the fourth annual Health Datapalooza conference descended on Washington, D.C., including a contest over the course of the two-day meeting to come up with the best health app on the spot.
Note: The audio and text of this review describe a major plot point that is not revealed until partway into the book.
If you know Karen Joy Fowler's writing only from her clever, 2004 best-seller, The Jane Austen Book Club, you're in for a shock. Fowler's new novel, We Are All Completely Beside Ourselves, is a different literary creature altogether — still witty but emotionally and intellectually riskier, and more indebted to Fowler's other books that toy with the sci-fi genre.