1964 was a great year for cutting-edge jazz records like Albert Ayler's Spiritual Unity, John Coltrane's A Love Supreme and Andrew Hill's Point of Departure. But none sounds as far ahead of its time as Eric Dolphy's masterpiece Out to Lunch, recorded for Blue Note on Feb. 25, 1964.
The members of Vertical Scratchers don't have to pretend: They are free spirits, making music that is at once tightly composed, whimsical and anarchic.
The vocals on a Vertical Scratchers song tend to be high-pitched and yearning. John Schmersal creates harmonies from his vocal tracks that have a keening romanticism. His guitar lines are a series of slashed chords — vertical scratching, and thus the band's name. At the same time, there's a compressed intensity to the tunes, which uncoil with a snap, again and again.
Sure, you can try doing your Internet browsing this way, but we can't promise that it will help you protect your personal data online.
Angwin spent 13 years as a reporter for the <em>Wall Street Journal</em>. She <a href="http://www.propublica.org/site/author/julia_angwin">now writes</a> for the independent news organization ProPublica.
Investigative reporter Julia Angwin was curious what Google knew about her, so she asked the company for her search data. "It turns out I had been doing about 26,000 Google searches a month ... and I was amazed at how revealing they were," she tells Fresh Air's Dave Davies.
Why does thunder rumble? Acoustic professor Trevor Cox explains that it has to do with the way lightning is a jagged line. "Each little kink is actually generating the sound, and the reason thunder rumbles is because the sound takes different time to come from different kinks because they're all slightly different distances from you," he says.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The 73-year-old Japanese animation titan Hayao Miyazaki says The Wind Rises is his final film, and if that's true — and I hope it's not but fear it is, since he's not the type to make rash declarations — he's going out on a high.