
Fresh Air
Weekdays at 7:00pm
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

A culture critic reflects on the limits of language -- and the magic of silence
by Tonya Mosley
Pulitzer Prize-winning New Yorker writer Hilton Als says we "don't actually have much silence left" in our world. His latest exhibition challenges the way we see art, identity and storytelling.
Remembering Pioneering AIDS Activist Larry Kramer
by Terry Gross
Kramer, who died May 27, was an early advocate for aggressive research into the HIV virus. He co-founded both the Gay Men's Health Crisis and the protest group ACT UP. Originally broadcast in 1992.
Margo Price Sings About The Heartache And Beauty Of Small-Town America
by Terry Gross
Growing up in Aledo, Ill., the singer-songwriter longed to live somewhere "more romantic." Then she moved away: "Now, when I go back, I see the beauty in it," she says. Originally broadcast in 2017.
Did They Or Didn't They? 'Quiz' Centers On 2 Accused Game Show Cheats
by John Powers
A limited series premiering on AMC deftly sketches the portrait of a married couple who get put on trial for cheating to win the top prize on the British version of Who Wants to Be a Millionaire?
Trio Infuses 'Transylvanian Folk Songs' With Mystery And Clarity
by Kevin Whitehead
Lucian Ban, John Surman and Mat Maneri bring a fresh treatment — and musical chemistry — to the bare-bones folk transcriptions of the 20th-century Hungarian composer Béla Bartók.
'St. Christopher On Pluto' Follows The Adventures Of 2 Friends In An Old Buick
by Maureen Corrigan
How Winston Churchill Pulled Britain Through The Early Years Of WWII
by Dave Davies
In The Splendid And The Vile, author Erik Larson details the British prime minister's first year in office, during which England endured a Nazi bombing campaign. Originally broadcast March 30, 2020.
Ella Fitzgerald And Louis Armstrong Go 'Cheek To Cheek' On A 4-Disc Set
by Lloyd Schwartz
Fitzgerald's warm, yet ultra-cool voice was at the opposite pole of jazz singing from Armstrong's gravelly growl. There's absolutely no reason their voices should blend so effortlessly — but they do.