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Fresh Air
Weekdays at 7:00pm
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.
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Justice Ketanji Brown Jackson shares the poem she's kept in every one of her offices
The first Black woman appointed to the Supreme Court says Henry Wadsworth Longfellow's poem, "The Ladder of Saint Augustine," has been a guiding principle. Jackson's new memoir is Lovely One.
In The Northern Ireland Period Thriller '71,' No One Dies Well
by David Edelstein
The film is about an English private who is cut off from his unit in the middle of a riot in Belfast in 1971. It's a conventional and smashingly good chase melodrama, but it's also a tragedy.
Fresh Air Pays Tribute To The 50th Anniversary Of Bloody Sunday
On March 7, 1965, marchers from Selma, Ala., attempted to cross a bridge to demonstrate in support of voting rights. Selma director Ava DuVernay, John Lewis and J.L. Chestnut reflect on that day.
In 'The Buried Giant,' Exhausted Medieval Travelers 'Can't Go On,' But So 'Go On'
by Maureen Corrigan
Kazuo Ishiguro's latest recalls the plays and novels of Samuel Beckett. It's a masterful blend of fantasy, Arthurian romance, myth, legend and postmodern absurdity — and it's unforgettable.
A 'Girl In A Band': Kim Gordon On Life After Sonic Youth
Gordon co-founded Sonic Youth with Thurston Moore. When their marriage broke up in 2011, so did the band. Gordon talks about rebuilding her life, writing her memoir and her new band Body/Head.
'American Crime' And 'The Unbreakable Kimmy Schmidt' Highlight The TV Revolution
by David Bianculli
Tina Fey co-created the quirky comedy The Unbreakable Kimmy Schmidt for Netflix; John Ridley made the emotionally raw drama American Crime for ABC. TV critic David Bianculli says they're both good.
Fresh Air Remembers 'Jazz Master' Orrin Keepnews
Keepnews co-founded two of the most important independent record labels of the 1950s and '60s. The Grammy-winning producer passed away Sunday. He spoke to Terry Gross in 1988.
'Maps To The Stars': Either The Funniest Horror Movie, Or The Most Horrific Comedy
by David Edelstein
In the film about a toxic Hollywood, John Cusack plays a self-help guru whose clients include Julianne Moore. It's full of anxious shoptalk and name dropping, druggy kids and druggier grown-ups.