
Fresh Air
Weekdays at 7:00pm
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

A culture critic reflects on the limits of language -- and the magic of silence
by Tonya Mosley
Pulitzer Prize-winning New Yorker writer Hilton Als says we "don't actually have much silence left" in our world. His latest exhibition challenges the way we see art, identity and storytelling.
Anjelica Huston Tells Her 'Story' Of Growing Up With A Director Dad
The actor's new memoir, A Story Lately Told, covers her early life growing up in Ireland, the daughter of director John Huston. In 1969, the two collaborated on a film, and it was disastrous.
Lee Ann Womack Scales Back And Goes Traditional And Moody
by Ken Tucker
Womack, who had the hit "I Hope You Dance," hasn't released a new album since 2008. The sound of her new album The Way I'm Livin' is different from the country music dominating the industry.
'Interstellar': A Good Old-Fashioned Chunk Of Sci-Fi Silliness
by David Edelstein
Christopher Nolan's film stars Matthew McConaughey as an astronaut who takes his ship through a wormhole to another galaxy to find a home for earth's inhabitants. It's cool, awe-inspiring and goofy.
'Merry Widow' Operetta: Stage Versus Screen
by Lloyd Schwartz
The Metropolitan Opera will be celebrating New Year's Eve with Franz Lehar's The Merry Widow in a new production starring soprano Fleming. But its greatest incarnations have been on film.
Stephen King On Growing Up, Believing In God And Getting Scared
"The more carny it got, the better I liked it," King says of his new thriller, Joyland. King talks with Fresh Air's Terry Gross about his career writing horror, and about what scares him now.
Taylor Swift: The Peppiest Pop Star We Have Right Now
by Ken Tucker
1989 sidesteps country music entirely to become Swift's first pure pop album.
With New Campaign Finance Rules, You Can't Really Follow The Money
Campaign finance rules allow some groups to not disclose their donors. The New York Times' Nick Confessore says there could be "influence peddling ... because we can't see the money changing hands."