Jazz musician and composer Charles Lloyd has what you might call an "eclectic" resume.
The saxophonist has played with hundreds of jazz musicians — but also B.B. King, the Beach Boys, tabla master Zakir Hussain.
Tonight, Charles Lloyd will be inducted as a National Endowment for the Arts Jazz Master. He's being honored, in part, for fusing jazz with musical styles from other places and times.
You can hear that on his new album, Wild Man Dance, which features two ancient instruments from Europe.
"I decided that I wanted to have strings," Lloyd says. "But I wanted to have the strings of a cimbalom and the lyra."
The cimbalom is a kind of dulcimer, but huge. Its strings stretch over a big wooden box, and are hit with long padded hammers. On the album, it's played by Miklós Lukács.
"I heard this many years ago when I played a festival in Hungary," Lloyd says. "It was being played at my hotel after the concert by a gypsy orchestra, and I just loved its sonority so much."
Lloyd also brings in the Greek lyra, performed by Sokratis Sinopoulos.
"It sounds sort of like a violin but it has the beauty and the wisdom of antiquity," Lloyd say. "So I was trying to mix antiquity with modernity, is what's going on here."
Lloyd wrote the music on Wild Man Dance for the Jazztopad festival in Wroclaw, Poland, where he performed and recorded those compositions. He was inspired — he says — by the lush landscape.
"There was lots of greenery, there were lots of trees," he says. "It was like a poetic kind of environment for me. Once I started composing the music, I couldn't stop. It just gushed forth."
Now 77, Charles Lloyd describes himself as a "sound seeker."
"The deeper I go in the music, the further I still have to go," he says. "It's like the creator has a carrot on a stick, you know, and I get closer and then he keeps moving it and he says, 'Not yet, Charles.'"
After Lloyd receives his NEA Jazz Master award, he'll be premiering the Wild Man Dance suite for American audiences this month.
Transcript
RENEE MONTAGNE, HOST:
What we are hearing now comes from musician and composer Charles Lloyd. The saxophonist has played with hundreds of jazz musicians, but also the Beach Boys, bluesman B.B. King and the tabla master Zakir Hussain. Tonight, Charles Lloyd will be inducted as a National Endowment for the Arts Jazz Master. He's being honored in part for furthering the genre by fusing jazz with musical styles from other places and other times. You can hear that on his new album "Wild Man Dance," which features two ancient instruments from Europe.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
CHARLES LLOYD: I decided that I wanted to have strings, but I wanted to have the strings of the cimbalom and the lyra.
MONTAGNE: The cimbalom is what you're hearing now. It's a kind of dulcimer, but huge, with strings stretched over a big wooden box and hit with long padded hammers.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
LLOYD: I heard this many years ago when I played a festival in Hungary. It was being played at my hotel after the concert by a gypsy orchestra, and I just loved its sonority so much.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
MONTAGNE: Lloyd then brings in the Greek lyra.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
LLOYD: It sounds sort of like a violin, but it has the beauty and the wisdom of antiquity.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
LLOYD: So I was trying to mix antiquity with modernity, is what's going on here.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
MONTAGNE: This track is "Flying Over The Odra Valley." It's one of the compositions on "Wild Man Dance" that Lloyd was asked to write for a jazz festival in Poland where he performed and recorded those compositions. He was inspired, he says, by the lush landscape.
LLOYD: There was lots of greenery. There were lots of trees. It was like a poetic kind of environment for me. Once I started composing the music, I couldn't stop. It just gushed forth.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
MONTAGNE: Now 77, Charles Lloyd describes himself as a sound seeker.
LLOYD: The deeper I go in the music, the further I still have to go. It's like the creator has a carrot on a stick, you know? And I get closer and then he keeps moving and he says not yet, Charles.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
MONTAGNE: That's jazz musician Charles Lloyd. He will be honored by the National Endowment for the Arts as a Jazz Master tonight, and premieres his "Wild Man Dance" for American audiences this month.
(SOUNDBITE OF SONG, "FLYING OVER THE ODRA VALLEY")
MONTAGNE: This is MORNING EDITION from NPR News. I'm Renee Montagne.
STEVE INSKEEP, HOST:
And I'm Steve Inskeep. Transcript provided by NPR, Copyright NPR.
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