Tony award-winning actress Sutton Foster just turned 40, but in the TV Land show Younger she gets to be 26 again. Foster plays Liza, a middle-aged woman who needs to get back into the job market. The last time Liza applied for jobs, Twitter, Facebook and Instagram didn't exist. Now, she's convinced that no one wants to hire someone her age. So she moves to Brooklyn, gets a few highlights, learns how to tweet, and applies for a job as an assistant to a fancy New York publisher.

It's fun, Sutton tells NPR's Rachel Martin. "It's great to be able to go back to my '20s,' but still retain everything that I've learned now that I'm older," she says.


Interview Highlights

On identifying with the Liza character

I just turned 40. My birthday was on March 18th. And when I started filming this show, I would literally have days like: Oh, this is what the young people are doing! Like, I had no concept! And I was grateful to have Hilary Duff [who plays Liza's friend Kelsey]... and Nico [Tortorella] who plays my love interest on the show — they're both in their 20s. So I would sort of stare at both of them like, "What are they up to and ... what are they doing?"

On the relationship between Liza and Kelsey (Hilary Duff)

What I think is really cool about Younger is that, as opposed to relationships, or female relationships being conniving or backstabbing or whatever — is they're actually real friendships and women who are rooting for each other and who support one another. And I think that's really nice to see, especially on TV. ... Hilary's character Kelsey takes Liza under her wing and isn't threatened by Liza. She's like, "I got your back, girl!" And I think my character Liza sees in Kelsey who she was when she was 26 and wants to take care of her and mother her in a sense and try to protect her from all the mistakes that she knows ultimately she's going to end up making — because that's what happens. You know, that's what you've got to do in your 20s.

On her transition from theater to television

All I've ever really done was theater. I've been working in the theater professionally for over 20 years, which is insane! But I wasn't necessarily actively looking to do TV, primarily because I was scared! I did a show called Bunheads which was a show on ABC Family. And when that came along, it, like, rocked my world. It changed my entire perspective and idea about being on TV and working on a set and being able to go on a journey with a character: that's really exciting. Because when you do theater, you tell the same story every day. But with a television show, I have no idea where a character is going to go and it's really exciting.

On missing the energy of the audience

I'm like, "Why isn't anyone applauding?" I need constant gratification, all the time! ... You have this instant response when you're on stage ... Especially with comedy. I think that's the trickiest thing. ... You can learn if a joke lands if an audience responds. And then the next night you can like try it a little bit different. ... But you don't have that opportunity on TV, and you pray to God that you're funny and that things are landing. And most of the time the timing is in the editing room. Like how they cut together the scene. So you have to kind of just let go and pray that your editor has got your back.

On what kinds of roles she's looking for at this point in her career

I'm always looking for, like, that left turn. The surprise. The thing that's risky or scary. Usually when something's really, really scary and I don't want to do it, it means probably that's the thing I should do. Reno Sweeney in Anything Goes was that type of role. I had a moment right after I got cast where I was like, "I can't do this! I don't want to do it!" and I started to panic. I almost backed out of it. ...

She was a different type of character that I didn't know I could pull it off in my mind. ... She was just a scary character. She was ballsy and brave and fabulous and knew how to walk into a room and be the center of attention. And I was like, "Ugh, I don't know who this girl is." ...

I'm the girl that walks into a room and I'm in the corner with a plate of shrimp, you know, trying to hide. So I was like, I needed to learn how to walk into a room with like gusto.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

RACHEL MARTIN, HOST:

Liza is 40 years old, newly single, and she needs to find a job. But the last time she had one, there was no such thing as Twitter, Facebook or Instagram. And she's struggling to find her footing. That is the premise of a new TV Land show called "Younger." It was created by Darren Star of "Sex And The City" fame. Liza is convinced no one wants to hire someone who's been out of the working world for that long, so she gets a few highlights, works hashtag into her vocabulary and pulls off a pretty good 26-year-old.

(SOUNDBITE OF TV SHOW, "YOUNGER")

MIRIAM SHOR: (As Diana Trout) I'm not here to give you guidelines or hold your hand or God forbid ever read that novel you've been working on since college.

SUTTON FOSTER: (As Liza Miller) I understand. I'm a very hard worker. I will figure out how to make your life easier and how never to annoy you.

SHOR: (As Diana Trout) Tell me, Leslie, what would you say makes you special.

FOSTER: (As Liza Miller) I'm a grown-up. I don't think I'm special.

MARTIN: That was Liza applying for a job as an assistant to a fancy New York publisher who clearly cannot even get her name right. Tony Award winner Sutton Foster stars in the show as Liza. She joins us from our studios in New York. Welcome to the program.

FOSTER: Thank you.

MARTIN: So much of this show is about Liza figuring out this new world. Is there any part of that story line that's true to your own life?

FOSTER: Of course. I just turned 40. My birthday was on March 18. And when I started filming the show, I literally would have days, like, oh, this is what the young people are doing. Like I have no concept. You know, and I was grateful to have Hilary Duff, who's in her twenties, and Nico, who plays my love interest on the show. They're both in their twenties. So I would sort of stare at both of them, like what are they up to? And what, you know, what are they doing?

MARTIN: Can you talk a little bit about your character's relationship with Kelsey, who is played by Hilary Duff?

FOSTER: Well, what I think is really cool about "Younger" is that as opposed to relationships, or female relationships, being conniving or backstabbing or whatever, they're actually real friendships and women who are rooting for each other and who support one another. And I think that's really nice to see, especially on TV. And, you know, I think Hilary's character, Kelsey, takes Liza under her wing and isn't threatened by Liza. She's, like, I got your back, girl.

MARTIN: What does TV let you do that the theater perhaps doesn't allow?

FOSTER: All I've ever really done was theater. I've been working in the theater professionally for over 20 years which is insane. But I wasn't necessarily actively looking to do TV primarily because I was scared. But I did a show called "Bun Heads" which was on ABC Family. And when that came along it, like, rocked my world. It changed my entire perspective and idea about being on TV and working on a set and being able to go on a journey with a character. That's really exciting because when you do theater, you know, you tell the same story every day. But with a television show, I have no idea where a character is going to go. And it's really exciting.

MARTIN: Do you miss the audience? Do get an energy from an audience that you don't get in TV?

FOSTER: I'm, like, why isn't anyone applauding?

MARTIN: (Laughter) That was brilliant.

FOSTER: I need constant gratification all the time. But there is, like, you have that instant response when you're onstage of laughter - especially with comedy. I think that that's, like, the trickiest thing because so much of what I've learned to be a comedian is that interaction with an audience. So you can learn if a joke lands if an audience responds. And then the next night you can, like, try it a little bit different and maybe find new ways of, like, figuring out something. But you don't have that opportunity on TV. And you pray to God that you're funny and that things are landing. And most of the time, the timing is in the editing room, like how they cut together a scene. So you have to kind of just let go and pray that your editors have got your back.

MARTIN: You've played too big leading ladies on Broadway in "Thoroughly Modern Millie" and "Anything Goes." Are you just looking for a good, juicy role or are there specific characteristics that you're looking for in the roles that you take on at this point in your career?

FOSTER: I'm always looking for, like, that left turn, like, the surprise, the thing that's risky or scary. You know, usually when something is really, really scary, and I don't want to do it, it means that that's probably the thing I should do. Reno Sweeney in "Anything Goes" was that type of role. I had a moment right after I got cast where I was, like, I can't do this. I don't want to do it. And I started to panic. And I almost backed out of it. She was just a scary character. She was ballsy and brave and fabulous and knew how to walk into a room and be the center of attention. And I was like, oh, I don't know who this girl...

MARTIN: You're telling me you're not those things?

FOSTER: No. I'm the girl that walks into a room, and I'm in the corner with a plate of shrimp, you know, trying to hide. So I was, like, I needed to learn how to walk into a room with, like, gusto.

MARTIN: How do you walk into rooms now?

FOSTER: (Laughter). I still walk into the room and head to the corner with the shrimp.

MARTIN: (Laughter) But if pushed you could be...

FOSTER: But if pushed, yes.

MARTIN: You could walk into the room differently. Well, it's been so fun talking with you. Sutton Foster is the star of the new TV show "Younger." It premieres Tuesday on TV Land. Thanks so much for talking with us.

FOSTER: Thank you. Transcript provided by NPR, Copyright NPR.

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