Beauty pageant contestants have always been judged by their looks, and, in recent decades, by their do-gooderly deeds and winning personalities.
Still, one thing that’s remained consistent throughout beauty pageant history is that you had to be a human to enter.
But now that’s changing.
Models created using generative artificial intelligence (AI) are competing in the inaugural “Miss AI” pageant this month.
The contestants have no physical, real-world presence. They exist only on social media, primarily Instagram, in the form of photorealistic images of extremely beautiful young women — all of it created using a combination of off-the-shelf and proprietary AI technology.
Some of the characters can also be seen talking and moving in videos. And they share their "thoughts" and news about their "lives" mostly through accompanying text on social media posts.
In one video, Kenza Layli, created by a team from Morocco, speaks in Arabic about how happy she is to have been selected as one of finalists for Miss AI.
"I am proud to receive this nomination after only existing for five months, especially since this invention is Arab and Moroccan 100%," the AI model said.
In another, the Brazilian entry, Ailya Lou, lip-synchs and bops around to a song.
Even though these beauty queens are not real women, there is a real cash prize of $5,000 for the winner. The company behind the event, the U.K.-based online creator platform FanVue, is also offering public relations and mentorship perks to the top-placed entry as well as to two runners-up.
According to a statement from the organizer, a panel of four judges selected 10 finalists from 1,500 submissions. This is the first of a series of contests for AI content creators that FanVue is launching under the "The FanVue World AI Creator Awards" umbrella. The results for Miss AI will be announced at the end of June.
"What the awards have done is uncover creators none of us were aware of," said FanVue co-founder Will Monange in the statement. "And that's the beauty of the AI creator space: It's enabling creative people to enter the creator economy with their AI-generated creations without having to be the face themselves."
New technology, old format
The organizers of Miss AI are touting it as the first such competition involving AI. Beauty pageants already exist elsewhere in the digital realm, for example on the online platform Second Life.
But in the real world, beauty pageants are fading. They are no longer the giant cultural draw they once were, attracting tens of millions of TV viewers during their peak in the 1970s and '80s.
The events are controversial, because there’s a long history of them feeding into harmful stereotypes of women.
Indeed, all 10 Miss AI finalists fit in with traditional beauty queen tropes: They all look young, buxom and thin.
The controversial nature of pageants, coupled with the application of cutting-edge AI technology, is proving to be catnip for the media and the public. Simply put, sexy images of fake women are an easy way to connect with fans.
"With this technology, we're very much in the early stages, where I think this is the perfect type of content that's highly engaging and super low hanging fruit to go after, said Eric Dahan, CEO of the social media marketing company Mighty Joy.
In an interview with NPR, beauty pageant historian and Miss AI judge Sally-Ann Fawcett said she hopes to be able to change these stereotypes "from the inside" by focusing her judging efforts on the messaging around these AI beauty queens — and not just on their looks.
"Because they are all beautiful, I want somebody that I would be proud to say is an AI ambassador and role model giving out brilliant and inspiring messages, rather than just saying, 'hello, I'm really hot!' " said Fawcett.
Like real life pageants, the Miss AI contestants' social media feeds talk about the good causes the character supports. For example, the French avatar Anne Kerdi is a brand ambassador for the ocean conservation fund Océanopolis Acts, and Romania’s Aiyana Rainbow is described as an LGBTQ advocate.
But Fawcett said she wishes there was more variety in the submissions for this contest.
"I would like to see somebody of a different gender, somebody larger, somebody older, somebody with flaws," Fawcett said. "There's such a big scope. But I think because it's the first year, everyone's adhering to that typical stereotype of beauty."
Artist and filmmaker Lynn Hershman Leeson, whose work explores the intersection of technology and feminism, said she is baffled by the degree to which the AI creators for this contest stuck to traditional beauty pageantry tropes.
"The AI world has such a range of possibilities to consider for attractiveness," Hershman Leeson said in an interview with NPR. "And they've chosen to just look for some kind of surface resemblance to what's always been considered a winner in this kind of competition. It doesn't go beyond the stereotype of the stereotype."
A digital marketing opportunity disguised as a beauty pageant
The Miss AI contestants aren't just being judged according to their looks and messaging. There are two more unconventional criteria in play not traditionally found in beauty pageant judging: the skill with which the AI creators employ AI technology to make their models look hyperreal, and how deeply and quickly these avatars are engaging audiences on their social media feeds.
Creating a photorealistic human is no easy feat. And, maybe more importantly, Miss AI isn’t a beauty contest at heart. It's really about showcasing AI as a marketing tool — specifically in the realm of AI influencers.
Most social media influencers are human beings. The influencer market is worth more than $16 billion, according to one estimate, and is growing fast. According to a recent Allied Market Research report, the global influencer marketplace is expected to reach $200 billion by 2032.
AI influencers like the Miss AI finalists are starting to gain traction within this realm — especially if they can look and act like humans.
One of the world's most successful AI influencers, Aitana Lopez, earns her creators — who are part of the Miss AI judging panel — several thousand dollars a month in income from brand partnerships.
That's a small amount compared with the millions top human influencers, like Kylie Jenner and Charli D'Amelio, currently make in cosmetics, fashion and other deals. But it may not be too long before AI influencers start to catch up.
Mohammad Talha Saray, a member of the team in Ankara, Turkey, that created one of the Miss AI finalists — the red-haired, green-eyed Seren Ay, said they came up with the AI model five or six months ago as a brand ambassador for their jewelry e-commerce company because human influencers they approached cost too much money and were too demanding. Saray said his AI avatar is cheaper, more flexible and doesn’t talk back.
"With the AI, there's no limit," Saray told NPR. "You can just do whatever you want. Like, if you want to just do something on the moon or on the sun, whatever you want, you can just do it — all with your imagination."
Saray said his jewelry business has grown tenfold since Seren Ay came on board. Her social media videos garner millions of views.
"Our goal for Seren Ay is to position her as a globally recognized and beloved digital influencer," said Saray. "Winning the Miss AI competition will be a significant step toward achieving these goals, allowing us to reach a wider audience and seize more collaboration opportunities."
He said AI influencers do not have the ability to move people as much as their human counterparts can.
"People are always going to know that it's an artificial intelligence," Saray said.
Yet he said he's constantly astonished by the number of people commenting on Seren Ay's posts on Instagram who seem to mistake the AI character for a real human being.
"People say they have feelings for Seren AI," said Saray. "They're congratulating her. They're saying they hope she wins the prize."
Transcript
SCOTT DETROW, HOST:
Beauty pageant contestants have always been judged by their looks, and in recent decades, their do-gooderly (ph) deeds and their personalities. But one thing has remained consistent throughout beauty pageant history, and that's the fact that you generally had to be a human being to enter. That is now changing. Models created using generative artificial intelligence are competing in the inaugural Miss AI pageant this month. NPR's Chloe Veltman has been looking into it. Hey, Chloe.
CHLOE VELTMAN, BYLINE: Hi, Scott.
DETROW: So what exactly are we talking about here?
VELTMAN: Really, this is just a bunch of images on social media of extremely beautiful, sexy young women. But these are not real women, Scott. They are AI-generated models. They exist only on places like Instagram, mostly as stills with accompanying written statements about their interests and their activities. And some of them can be seen moving and talking in videos. There's the Moroccan entry, Kenza Layli, speaking in Arabic about how proud she is to have been selected as a finalist for Miss AI.
(SOUNDBITE OF ARCHIVED RECORDING)
AI-GENERATED VOICE #1: (As Kenza Layli, speaking Arabic).
VELTMAN: Even though these aren't real women, there is a real prize - $5,000 for the winner. And a lot of people are participating in this. There were 1,500 submissions. And now we're down to 10 finalists. A panel of judges will pick a winner at the end of the month.
DETROW: So how exactly do you get from 1,500 to one? What are the criteria here?
VELTMAN: The AI beauty queens are judged from the content on their Instagram accounts according to three criteria, Scott. So, of course, we've got looks. And there are also two other areas not typical for beauty pageants - one, how skillfully the AI tools have been used to create the models, for example, details around their eyes and hands, and also the avatar's social media reach, things like how many fans are commenting and reacting to the posts on social media, the audience growth rate, like the number of followers and how quickly you grow them.
DETROW: And is there any depth to these models beyond what you just said, their appearance and their clout?
VELTMAN: Well, appearance is still the main thing. All the 10 finalists fit in with the beauty queen stereotypes. They're young. They're buxom. They're female. They're all thin. Sally-ann Fawcett is one of the judges of this competition. She's a beauty pageant historian who's been judging these types of events for a long time. And she says she wishes there was more variety in the submissions for this contest.
SALLY-ANN FAWCETT: I would like to see somebody of a different gender, somebody larger, older, with flaws. There's such a big scope, but I think because it's the first year, everyone's adhering to that typical stereotype of beauty.
VELTMAN: Fawcett says she's been trying to focus her judging efforts on the messaging around these AI beauty queens. Like real-life pageants, the contestants talk about the good causes they support and so on. So, for example, you've got the French avatar, Anne Kerdi, who's the brand ambassador for Oceanopolis Acts, which is an ocean conservation fund. And then there's Romania's Aiyana Rainbow, who's an LGBTQ advocate.
DETROW: There's a lot of different things to think about here. Who else have you talked to about what's going on here?
VELTMAN: I wanted to get the take of somebody who understands feminism and technology, so I spoke with Lynn Hershman Leeson, whose work is right at the intersection of these issues. And she says she's baffled by the degree to which the AI creators for this contest so slavishly stick to traditional beauty pageant tropes.
LYNN HERSHMAN LEESON: The AI world has such a range of possibilities to consider for attractiveness, and they've chosen in the top 10 to just look for some kind of surface resemblance to what's always been considered a winner in this kind of competition.
VELTMAN: Hershman Leeson asked, why not do something more wild and creative with the technology? Like, you could have a beauty queen who's a sea monster or one with five heads.
DETROW: I mean, you could literally go any direction you want, and yet it is interesting that it ends up back in kind of this classic, almost trope-y area.
VELTMAN: Right. Well, also, let's give the AI creators some credit, Scott. It's not easy to create a photorealistic-looking human - right? - using AI. But maybe more importantly, this isn't really a beauty contest at heart. Miss AI is really about showcasing AI as a marketing tool, specifically in the realm of AI influencers.
DETROW: I confess I have not yet thought of what exactly an AI influencer could be.
VELTMAN: Right. Well, most social media influencers today are real human beings, and it's a huge market, Scott. The influencer market is worth tens of billions of dollars, and it's growing fast. So the AI influencers, like the Miss AI finalists, could get in on this. And they're starting to become very popular, especially if they can look and act like humans.
I spoke with Mohamed Taha Sarai (ph), who's part of the team in Ankara, Turkey, that created one of the Miss AI finalists, Seren Ay. Sarai says they came up with the AI model five or six months ago because they wanted a brand ambassador for their online jewelry company. They thought about hiring a human influencer, but they cost so much money and they're too demanding, he says.
DETROW: People.
VELTMAN: You can't control them. I know - people. You can't easily shape them to fit specific campaigns. Whereas he says his AI avatar's cheaper, more flexible, and she doesn't talk back.
MOHAMED TAHA SARAI: With the AI, there's no limit. You can just do whatever you want. So just - I don't know - like, if you want to just do something on the moon or on the sun, you can just do it on your imagination.
VELTMAN: Sarai says his business has grown tenfold since Seren Ay came on board to help his company sell jewelry, and her social media videos garner millions of views. He says he hopes the Miss AI beauty pageant will help grow her reputation as an influencer around the world. Also, Scott, he says it's telling that an astonishing number of people who comment on Seren Ay's post think she's a real human being.
DETROW: So interesting. Maybe they're on to something here.
VELTMAN: They could be.
DETROW: NPR's Chloe Veltman, a human reporter. Thank you so much.
VELTMAN: An actual human. Thanks, Scott. Transcript provided by NPR, Copyright NPR.
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