One Eleven Heavy 'Crosses' The Atlantic With Grateful Dead-Indebted Boogie

There's a dancing bear slapped on the back of a station wagon cranking out a copy of Europe '72 — it's no deep dive from one of Dick's Picks, but it's a solid collection of live sets, with Grateful Dead at the top of its game. You exchange eyes with the driver, acknowledge the good-times jams, and counter with a '77 date. Soon enough, you're holding up traffic, but the songs keep on truckin'.

This wasn't quite the Cosmic Americana meet-cute for James Toth (Wooden Wand) and Nick Mitchell Maiato (of Manchester psych-rockers Desmadrados Soldados De Ventura), but it's not too far off. When Toth was on a U.K. tour 10 years ago, the two bonded over Crazy Horse, the Dead and Little Feat — rock bands that thrived on wild-eyed improvisation, but still knew how to write an easygoing melody.

Now, Toth and Mitchell Maiato have a new band, One Eleven Heavy, that keeps the conversation going. "Crosses" is a Toth-penned tune from the band's debut album, Everything's Better, featuring a bucking rhythm section (Royal Trux bassist Dan Brown and Solar Motel Band drummer Ryan Jewell) and organ from Hans Chew, the go-to keyboardist for the likes of Hiss Golden Messenger and Steve Gunn.

Toth says "Crosses" is "sort of about Virginia Dare," the first child born of English parents in the Americas. It swings on a revolving door of goofball riffs, spun up and spun around all dizzy from an elastic rock and roll boogie.

Everything's Better comes out Sept. 13 via Kith & Kin.

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