A 12-year-old girl followed him everywhere. And she got the part. Abderrahmane Sissako tells what it's like to make a reality-based movie in Mauritania.
The film's tricky dialogue and dogfights were made possible by Becky Sullivan — the fifth woman ever nominated for the sound editing award. NPR's own Becky Sullivan met her to learn about the craft.
Sloss is a lawyer, talent manager, sales agent and producer for films like Boys Don't Cry, The Fog of War and Boyhood. "He's a bulldog. He fights for the films he believes in," one filmmaker says.
It's a classic element of the Oscars telecast: that sequence of clips paying tribute to film industry greats. Chuck Workman created them for 20 years, and likens his craft to making a fruitcake.
Melissa McSorley's job is to make food look good — and last — on camera. Sometimes that means cooking 800 Cubano sandwiches, other times it means scooping butter instead of ice cream.
The Argentinean film co-produced by Pedro Almodovar is up for an Oscar for best foreign language film. It features a drunk teenager who runs over a woman and an angry bride at a glitzy Jewish wedding.
NPR's Susan Stamberg has talked to everyone from focus pullers to foley artists. She finds that in the last 10 years, technology and out-of-state tax incentives have been Hollywood game-changers.