Mvula's debut is ambitiously distinct and confident, as if she and her band had perfected their sound years ago but only now decided to share it with everyone else.
Egypt's capital has been associated with protest and political upheaval. But an arts festival attempts to clear away the dust and revitalize a once-glorious cultural hub.
In a career that ran from the 1930s into the 1980s, and included work in big bands and rock 'n' roll, the clarinetist, saxophonist and bandleader changed to reflect the times. Herman would have turned 100 on May 16.
Singer Ezra Koenig says the band's new album, Modern Vampires of the City, is the final part of a trilogy — and the product of a lot of reflection on time and aging.
Four albums of reissues and archival recordings from Crosby's own vaults are getting a high-profile release; they demonstrate that his influence on modern singing is so huge, we barely notice it anymore. He could sing anything from Latin to Hawaiian to The Great American Songbook.
Rudresh Mahanthappa's work always seems to be filed under jazz, but it's hard to find a style he doesn't touch: hip-hop, country, metal and soul fused with traditional sounds from India, Africa and Indonesia. And he makes it rock.
"The last thing that I want to do is be a hack," says the rapper and actor. His latest album, his first since splitting with the record label that launched his career, is called Authentic.
Malmsteen is the king of the neoclassical shred guitar. The Swedish musician and composer has somehow bridged centuries, from Paganini to his own arpeggiated acrobatics. Here, the guitarist speaks with NPR's Scott Simon about being a family man and growing up on Bach and Jimi Hendrix.
Longtime blues joint Gip's Place, in Bessemer, Ala., has been forced to close its doors. Weekend Edition profiled the place two years ago. Host Scott Simon takes note of the closing.