In writer-director Sameh Zoabi's gentle satire, a Palestinian screenwriter and a Israeli checkpoint guard collaborate on a popular, low-rent soap opera.
The Addams Family was the most popular high school musical production this year, according to the latest rankings from the Educational Theatre Association.
Unlike many academic tomes, Jennifer Cobbina's book doesn't presume prior knowledge; it establishes historical and cultural context for the distrust many African Americans feel toward law enforcement.
Jordi Puntí's new short story collection is full of men living on the edge — almost always because they've put themselves there. They're maddening characters, and Puntí regards them with sympathy.
Whether you're extremely online or still confused by how a simple period can be interpreted as passive-aggressive, linguist Gretchen McCulloch has a guide to how our on-screen speech is morphing.
The "genial flexfest" of a spinoff is the "most agreeable" of the franchise, which once again slickly repackages set pieces from other, better, more innovative action films.
Peppa is a 4-year-old, cartoon pig whose award-winning TV show airs in more than 180 countries. For the last 13 years she's been played by Harley Bird, who got the part when she was only 5 years old.
The winner of an unprecedented 21 Tony Awards, Prince left a major impact on American musical theater. Among his shows: Cabaret, Fiddler on the Roof and The Phantom of the Opera. He was 91.
Set in an immigration detention center, the seventh season of the Netflix series continues to take the plight of poor and minority women seriously — and it does so with a surprising amount of humor.