This month, we've got love stories about teenage girls who pull patriarchy-smashing pranks, a realistic discussion of female biology and a story about learning how to be your own Tom Hanks.
The Last Black Man in San Francisco is a whimsical elegy to a fading San Francisco. It features a score by Emile Mosseri that's exuberant and poetic, positioning music front and center in the film.
NPR's Frank Langfitt wanted to get to know the real China, so he started a free taxi service in an effort to have conversations with a variety of people. His new book is the result of this reporting.
A group of women calling themselves the Catskilled Crafters took apart hundreds of donated neckties to make fabric art exploring their relationships with their fathers and the men in their lives.
Marcelo D'Salete's powerful graphic novel chronicles the mocambos, communities of runaway slaves that flourished in the jungles of 17th century Brazil, and all the lives they touched, slave and free.
Nancy Bass Wyden, the Strand's owner, is protesting New York City's decision to preserve the bookstore as a historic city landmark. She thinks the move will hurt, not help her business.
Thompson plays a successful TV host who pulled the ladder up behind her in the movie Late Night. Kaling says a female late night host is "science fiction," but this was the role she wanted to write.
The Italian director staged sumptuously visualized operas, which often resembled Renaissance paintings brought to life. On film, he brought Shakespearean and biblical tales to the big screen.
NPR's Scott Simon asks Audra McDonald and Michael Shannon about starring in the Broadway revival of Terrence McNally's 1987 play Frankie and Johnny in the Clair de Lune.