Look, it's not good. The series about Marvel's moon-dwelling not-mutants gets off to a two-hour start Friday that'll leave you scowling more than Black Bolt (Anson Mount). Which is saying something.
The series, about an ex-spy chafing against his imprisonment in a sunny, seaside village, was one of the first shows to end with a finale that sharply divided viewers.
What if every woman on earth went to sleep and never woke up, leaving only men to run things? That's the horror at the center of Sleeping Beauties, the new novel from Stephen King and his son Owen.
Peter Landesman's film, based on Felt's book, features a stolid but unenlightening performance from Liam Neeson as the FBI official who secretly fed information to reporters.
Doug Liman's "cheerfully blistering yarn" about a pilot who flew guns and drugs for the CIA makes the most of Tom Cruise's gifts as a leading man, and Liman's directorial fondness for low-level chaos.
Effectively a loving cinematic eulogy to its late star, Luckyworks best when it allows Stanton to express his character's "wistfulness, his bewilderment at the mere fact that he's alive," says critic Andrew Lapin.
First-time director Kevin Phillips displays a remarkable gift for evoking a time and place, but loses control when this tale of a teenage friendship shifts from character study to grisly thriller.
NPR's Ailsa Chang talks with Gary Baum, senior writer at The Hollywood Reporter, about Hugh Hefner's business empire, Playboy, and what will happen to the brand after his death.