The Friday night spectacle could be "a drug for depression in Brazil," says the creative director of the show that viewers around the world will see tonight.
Set in a Jewish neighborhood of Buenos Aires, Daniel Burman's latest film sweetly spotlights the strained relationship between a returning son and his ostentatiously selfless father.
DC's "rogues-do-good" answer to Marvel's Guardians of the Galaxy lacks that film's energy and charm; the result is a squalid, confusing mashup of tones and characters.
Ira Sachs' latest film, about a friendship between two boys, is Chekhovian in its subtlety but withholds too much and fails to attain the emotional impact for which it strives.
When the co-founder of Arena Stage in Washington, D.C., made her theater a nonprofit, hundreds of small regional stages followed suit. Fichandler died July 29 at the age of 91.
The Late Late Show host talks about belting out songs with celebrities like Elton John, Steve Wonder and Adele. He tells Fresh Air's Terry Gross he doesn't know what he did to deserve this great gig.
Nadja Spiegelman is insightful about the power and malleability of memory in her new memoir, but the book is weighed down by an aggressively artificial poignancy, all ashtrays and meaningful silences.
Bob McGrath, who has worked on the show since 1969, says he and two other original cast members have been let go. Sesame Workshop is calling it a "misunderstanding."
Hearst was abducted in 1974 and then declared allegiance to her captors. Legal expert Jeffrey Toobin does not believe Hearst was brainwashed, but rather, "responded rationally to the circumstances."