Arts

Summer is supposed to be for vacation and more relaxation, right? Well, for climate watchers, this season goes by a more sinister name. Brittany and NPR climate correspondents Lauren Sommer and Nate Rott get into what changes in summer weather mean for how and where we live.

Then, it's prom season and high schoolers are showing out! But styles have changed since the days of poofy dresses and bedazzled purses: prom fashion has reportedly become more adult. For many young people, prom reflects their ideas of glamour, so does this shift say something new about the fantasies of girlhood? Brittany sits down with writer Hilary George-Parkin who wrote about the blurring of age in fashion.

Sometimes, our favorite musical artists are too good to be true because they're sprung from the imaginations of Hollywood screenwriters. But what makes a fake band great? Today, we are debating the best fictional bands in TV and film — including from Mamma Mia!, Josie and the Pussycats, It's Your Move, and Miami Connection.

We want to hear your opinions about summer snacks. Are you Team Hot Dog or Team Hamburger? What's better: churro or a funnel cake? Click here to cast your votes. The results will be revealed at a virtual live event for Pop Culture Happy Hour+ supporters on Thursday, June 27th at 6 p.m. ET.

Sign up for PCHH+ at plus.npr.org/happyhour to get access to the event.

(Once you've signed up for PCHH+, make sure to set up your special feed, where you'll see a special bonus episode from May 31st with instructions on how to register for the live event. Email plus@npr.org for any extra assistance.)

Edgardo Mortara was just 6 years old when Italian authorities took him away from his family in 1858. Kidnapped is a true story steeped in Roman Catholic antisemitism.

Yohance Lacour tells the story of Lenard Clark, a 13-year-old Black boy who was beaten into a coma after riding his bike into a predominantly white neighborhood — and the importance of the case today.

A museum showcasing replicas of Banksy's work recently opened in New York City. But like its Paris sister location, the new exhibition lacks any approval or authorization from the artist, who has explicitly denounced any commercial use of his art-- and therefore raises a number of questions about who owns street art and who gets to profit from it.