Rachel Eve Moulton's story about a young woman in an abandoned town in the Black Bills of South Dakota will crawl into you and give you the shudders — just let it.
Margaret Atwood's The Testaments opens about 15 years after the end of The Handmaid's Tale. Critic Maureen Corrigan says the follow-up gives her what she wants most: the promise of an end to Gilead.
Tamsyn Muir's new novel is a sci-fi-horror-fantasy-romance mashup that's entirely its own thing, full of snark and darkness, sometimes deep and sometimes shallow, and unexpectedly heartbreaking.
The latest book by the author of Outliers and The Tipping Point looks at miscommunication throughout history — and finds it's really hard to know whom to believe.
The new book, She Said, by two New York Times reporters, reveals the lengths to which Harvey Weinstein went to silence women who claimed sexual harassment, and how his allies looked the other way.
James Poniewozik, chief TV critic for The New York Times, talks about his new book: Audience of One: Donald Trump, Television, and the Fracturing of America.
New York Times reporters Jodi Kantor and Megan Twohey broke the story that ended the Hollywood producer's alleged reign of terror and helped to ignite the #MeToo movement.
Novelist Lara Prescott became curious about the women who worked at CIA headquarters during the real-life mission to smuggle Dr. Zhivago into the Soviet Union during the Cold War.
Magical realism can be tricky, but Tillie Walden gets it right in a spare yet powerful tale of two women on a road trip through West Texas who pick up a possibly magical cat.
Mary H.K. Choi has a gift for creating characters so complex and real that they jump right off the page — like the eccentrically named Pablo Neruda Rind, aimless hero of her new Permanent Record.