The German producer captures youth, boredom and adventure in a wistful pop song whose video follows three teenagers as they stumble aimlessly into chaos.
These are not songs to shock, but songs to remind us of our fragility, our faults, our instincts and what an extraordinary thing it is to be an ordinary phenomenal nothing.
In this age of Twitter and Snapchat, we boil essays down to 140 characters, and videos can be no more than a handful of seconds. But what about a classical concerto? Can it be boiled down?
Vivien Goldman, who has been a publicist, journalist, professor, author, playwright and back-up singer, is finally, at 64 years old, releasing an album of her own music and stepping to center stage.