The tech giant, whose iTunes store is the recording industry's largest retailer, finally unveiled its streaming service, which will cost $9.99 a month for unlimited access to music.
Omaha built its musical reputation on acts like Bright Eyes and its label Saddle Creek Records. While some of its biggest names have moved to New York City and Chicago, a community still flourishes.
Much of Moore's music was unreleased at the time of recording and some of her best work didn't get the attention it deserved. A double disc compilation of her recordings has just been released.
There is a wealth of music, along with music-related artifacts and conversation, on the Internet, but the companies that control these vast resources don't always prioritize permanence.
Some of the places where we dig up sounds from the past are obvious, others obscure. Here are a dozen sources for diving deep into music history, shared by some of our favorite writers.
For 50 years, Billboard's Hot 100 pop chart counted just two things: radio play and retail sales. The addition of streaming data is shaking up how the charts are made and which songs reach the top.
With more than 20 million streaming songs at our fingertips, is the idea of owning music becoming a thing of the past? Or are we redefining the connection between songs and listeners?
Over the next week, in a series called Streaming At The Tipping Point, we'll look at how streaming music services are reshaping the way we find, hear and experience music.
We asked everyone we could think of, from fans to musicians to label owners what the ideal streaming service should look like. Turns out the new world, even in our fantasies, is a work in progress.