The oratorio is a time-honored way for classical composers to tell a big story. Composer Ted Hearne thinks so too. His new oratorio, The Source, takes on the story of Chelsea Manning and WikiLeaks.
Conductor John Mauceri's latest album is filled with renditions of the most-chilling music from Alfred Hitchcock's films. He talks with NPR's Scott Simon.
The mockingbird is known for latching on to sounds and repeating them. But in the case of a certain four-note phrase New Orleans musicians use to communicate, the bird may be the original artist.
Rock 'n' roll rebellion is mainstream today, but Peter Bebergal's new book summons a more shadowed past, when artists like Black Sabbath and Led Zeppelin brought an occult mystique to the music.
In a candid interview, the ever-innovative pianist traces the lines between Buddhist chants, Sly Stone and Miles Davis, while shedding new light on some hard facts about his past.
Steven Ellison has built an impressive reputation among critics and fans in the know for mixing hip hop, jazz and electronica into something original. But even for the aforementioned followers, the new album from Ellison — better-known as Flying Lotus — is a surprise. It's all about death, not as something to be mourned but as a journey to be anticipated.
Now that Taylor Swift has left Nashville behind, a handful of other up-and-coming stars are showing how country crosses over with other genres — and hoping for success that does the same.
A single for Taylor Swift's upcoming album came out on iTunes in Canada Tuesday. But it was only a few seconds of white noise, likely a technical glitch. The track shot to No. 1 on the charts.