Fur is showing up on supermodels strutting down the runways. Despite previous protests, fashion columnist Robin Givhan tells NPR's Rachel Martin that for some designers, fur is back.
"Green on Blue" tells the story of the war in Afghanistan through the eyes of an Afghan orphan. NPR's; Rachel Martin speaks to the unlikely author: Elliot Ackerman, a former U.S. marine.
A 12-year-old girl followed him everywhere. And she got the part. Abderrahmane Sissako tells what it's like to make a reality-based movie in Mauritania.
The actor may have spent the past 12 years filming Boyhood, but does he remember what life was like back in 2002 when he started filming? We'll test his knowledge in an Ask Me Another Challenge.
The photo editing system Adobe Photoshop turned 25 this week. NPR's Arun Rath talks to co-founder Thomas Knoll about how the system has changed and where it's going.
The film's tricky dialogue and dogfights were made possible by Becky Sullivan — the fifth woman ever nominated for the sound editing award. NPR's own Becky Sullivan met her to learn about the craft.
Sloss is a lawyer, talent manager, sales agent and producer for films like Boys Don't Cry, The Fog of War and Boyhood. "He's a bulldog. He fights for the films he believes in," one filmmaker says.
It's a classic element of the Oscars telecast: that sequence of clips paying tribute to film industry greats. Chuck Workman created them for 20 years, and likens his craft to making a fruitcake.
Matt Sumell wrote Making Nice in part as a response to his mother's death from cancer. "I was using the good luck of bad luck," he says. "You use what hurts."