Roland Emmerich's CGI-heavy depiction of the WWII battle that turned the tide in the Pacific isn't boring, but it's familiar beats ensure it's more a movie about war movies than it is about war.
"It was perilous to be a black gay boy in America," Jones says of the fear and isolation he experienced growing up in Texas in the 1990s. His new memoir is How We Fight for Our Lives.
Biographer Meryle Secrest chases a theory that two key Olivetti computer visonaries' deaths did not happen as officially recorded. While a gripping read at times, there's not a lot of solid ground.
Rivers Solomon's lyrical, wrenching new novella is based on a track from the experimental rap group clipping., about a peaceful undersea race descended from slaves thrown overboard in the Atlantic.
The humorist has expanded his podcast series into a book of essays on the historical figures (and objects, like station wagons, and empires, like Prussia) that didn't get enough love the first time.
Danny Fingeroth spends some time unpacking Lee's long-running dispute with Jack Kirby and others over ownership, but mainly offers strong insights into the forces that drove Lee and Marvel to success.
Ellen West, a new one-act chamber opera presented by Opera Saratoga, is based on a tragic poem by Frank Bidart, while Poul Ruders' The Thirteenth Child draws on Margaret Atwood's The Handmaid's Tale.
Volume Control author David Owen says our ears largely evolved in a far quieter time than the one we currently live in. He warns that the ambient noises that surround us pose a threat to our hearing.
In the South Korean film, architecture is a symbol of class conflict. Director Bong Joon-ho knows that mansions are all over — but a certain humble subterranean apartment is particular to Seoul.
Under Carmen Maria Machado's narrative of a psychologically abusive relationship lies an academic view of female queerness, a play, a choose your own adventure book, a look at the mechanisms of abuse.