The sequel to 2015's Ant-Man is just as light and inconsequential, but a forgettable villain and an over-complicated plot means it has to work harder — and it shows.
Michael Greyeyes, a Cree actor from a First Nation in Canada, plays the great Native American chief Sitting Bull in a new film. He says it's the role of a lifetime — and a portent of things to come.
Television investigative reporter Jeremy Finley brings his small-screen experience to bear in this debut novel, a satisfyingly suspenseful thriller with overtones of The X-Files and Stranger Things.
Set amid a theoretical debate about a potential Whole Foods arriving in the historically underserved Washington, D.C. neighborhood, the musical looks at the good and the bad of gentrification.
Would they have been better off not knowing about each other? That's the question director Tim Wardle keeps asking himself — he's the director of a documentary called Three Identical Strangers.
It's almost the Fourth of July. We reached out on social media to folks who recently became American citizens to find out what the holiday means to them.
Photographer George Rodriguez has chronicled a visual history of Los Angeles over his multidecade career. His work is being celebrated in a new book as well as his first retrospective.
Sometimes it seems like authors of color are relegated to writing about nothing but suffering, says author Silvia Moreno-Garcia. But we all need a taste of happiness — starting with these five books.
In an exhibit at the department's headquarters in Washington, young artists speak out through their work about race, sexuality and about being young and having a voice.
Will (Ben Foster) and daughter Tom (Thomasin Harcourt McKenzie) live off the grid — until the authorities find them — in a grounded, sharply observed film from the director of Winter's Bone.