Kate Novack's documentary about the legendary fashion figure breezes past any deep or thought-provoking issues, but it, like its subject, has style for days.
The latest blockbuster from Disney and Lucasfilm tells of the early adventures of Han Solo. Critic Justin Chang says the plot somehow feels both utterly inconsequential and exasperatingly busy.
NPR critic Bob Mondello says Deadpool 2 marks the return of the adventures of Marvel's trash-talking-est R-rated superhero. But this time, there's a bit more humor.
When the film puts its four leads together, it sparkles. When they're apart, it's simply "a pleasant, low-stakes affair, as numbing as a two-glass buzz."
John Cameron Mitchell's "sweet, slight comic fantasy" explores what happens when a young man (Alex Sharp) in 1977 London meet-cutes a young woman (Elle Fanning) who's from ... out of town.
Director Paul Schrader's film tackles war and climate change with a fierce moral anger. Critic Justin Chang says Schrader makes no attempt to conceal the fact that he's written a polemic.
Movie reviewer Kenneth Turan talks with NPR's David Greene about the newest movie in the Star Wars franchise and other noteworthy films coming out of this year's Cannes festival.
Like every film emanating from "a long time ago in a galaxy far, far away," Solo: A Star Wars Story has been kept tightly under wraps before its release. But the wraps are now coming off before audiences learn the story of a young Han Solo before he became a Star Warrior.
The odds of successfully telling the origin story of the Star Wars trilogy's lovable rogue are approximately 3,720 to 1. After a sluggish start, Solo: A Star Wars Story beats those odds.
Ryan Reynolds once again assays the role of a deadly mercenary who makes many references to various pop culture properties while disemboweling folk a lot. No fourth wall is safe.