Aaron Sorkin's directorial debut is a dense, complicated, frenetically paced movie about a woman who runs a high-stakes poker game; critic Bob Mondello is all-in.
Paul Thomas Anderson's new movie stars Daniel Day-Lewis as a British women's fashion designer in the 1950s. Critic David Edelstein says the film is an amusing portrait of artistic and marital anguish.
Paul Thomas Anderson's film about a London dressmaker in the 1950s is "a rare combination of audacity and precision, impeccably tailored yet full of mystery and magic," says critic Scott Tobias.
Smith is a police officer paired with an orc (Joel Edgerton) in this fantasy-inflected buddy-cop movie that's "lazy but not boring" and "perfectly, stubbornly mediocre."
Director/co-writer Alexander Payne's film is "the rare movie that seems to execute every part of its concept absolutely wrong; a narrative, tonal, visual and sociopolitical fiasco."
The sudden de-Spaceying of a lead role is the least interesting thing about Ridley Scott's propulsive thriller that features a standout performance by Michelle Williams.
The Last Jedi highlights the need for failure to find success, as the ongoing dynamic of The Force — the tug-of-war between good and evil — aptly defines our humanity, says Marcelo Gleiser.
To name just a few of the new movies coming out: Steven Spielberg's The Post, All the Money in the World and what might be Daniel Day Lewis's last film: Phantom Thread.