On this week's show, we run down an impressive list of Oscar-nominated documentary features and dive into Asghar Farhadi's complicated, suspenseful The Salesman.
Raoul Peck's Oscar-nominated documentary transforms an unfinished Baldwin manuscript about Martin Luther King Jr., Malcolm X and Medgar Evers into an urgently resonant film.
Martian, Martian, Martian!: Asa Butterfield stars as a Mars-born teen who struggles under Earth's gravity — and a treacly script — in this sci-fi romance.
Iranian director Asghar Farhadi's latest film is one of the five nominees for this year's foreign-language Academy Award. Critic David Edelstein says The Salesman is tense and powerful.
A review of The Salesman, an Iranian film about a couple whose home life becomes unsettled while they're starring together in a production of Death of a Salesman.
A dog cycles through several canine lifetimes while teaching a series of owners to live, laugh and love. Critic Scott Tobias found the film's repeated, mawkish depictions of doggy death "wearying."
Matthew McConaughey gained weight and lost hair to throw himself into this tale of a real-life stock-market swindle. The film aches for us to admire his reckless, grasping selfishness; we don't.
Director Justin Kelly documents the life of the inscrutable Michael Glatze (James Franco), who rejected his gay identity in favor of a strict Christian faith, without judging the man, or his choices.
As a Tehran couple perform Arthur Miller's Death of a Salesman, troubling parallels emerge in their home life. Writer-director Asghar Farhadi's nuanced film is one to which attention must be paid.