Self/less is a dull rumination on familiar themes about body-swapping and life-swapping, exploring none of the actually provocative questions it raises.
Sean Baker's bleak, boisterous farce follows two transgender sex workers on Christmas Eve in Los Angeles. David Edelstein says Tangerine is "brilliantly shaped, edited, scored and performed."
Film critic David Edelstein calls Terminator Genesys "strenuously witless" and "lousy." But, he adds, the loose and fun Magic Mike XXL is "anything but a typical machine-tooled sequel."
Two new works of art — the documentary film Cartel Land and the novel The Cartel — shine a light on the seemingly endless drug war in Mexico. John Powers says both works are bleak, but gripping.
Contributors Glen Weldon and Chris Klimek break down the latest in the many-tentacled franchise that continues to employ its indispensable central action hero.
The 26-year-old singer focuses on cleverly constructed lyrics — instead of rebellion — in her new record. Critic Ken Tucker says the singer falls short of creating a "sustained great album."