Movie Reviews

Director Gore Verbinski and star Johnny Depp have turned in a busy, expensive take on the masked lawman of the Wild West. It's long, tone-deaf, and ultimately crushingly bad.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

Director Paul Feig and writer Katie Dippold have found a perfect pair of leads for their cop comedy. Critic Bob Mondello says Oscar winner Sandra Bullock and Oscar nominee Melissa McCarthy turn out to have enviable comic chemistry.

Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems; Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.

A new film from Sofia Coppola, who made Lost in Translation and Marie Antoinette, is based on the real-life story of a group of Southern California teens who, in 2008 and 2009, began breaking into the homes of celebrities and stealing everything from designer clothing to watches and jewelry.

Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing — shot in black and white. Film critic David Edelstein says it's a delight. (Recommended)

The East is a romantic activist outlaw fantasy in which Brit Marling plays an agent who poses as a radical activist to catch an eco-terrorist group. It's one of those melodramas in which someone on the morally wrong side has a spasm of conscience and maybe crosses over. Maybe.

Julie Delpy and Ethan Hawke return for the third in Richard Linklater's loosely peerless Before series, and they've never been more persuasive — nor has the storytelling. (Recommended)

The Truffaut borrowings are explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. In both films, conversation is a centerpiece as characters navigate relationships.

NPR's Bob Mondello says J.J. Abrams' latest Star Trek film knows how to make the sparks and feelings fly, but doesn't bother making the sparks and feeling matter very much.