Denis Villeneuve's adaptation of Frank Herbert's novel is undeniably staggering. But his Dune also feels rudimentary, as if he's managed his source material without fully mastering it.
Denis Villeneuve's Dune — based on Frank Herbert's bestselling sci-fi novel — arrives in cinemas and on home screens starring Timothee Chalamet and Zendaya.
Wes Anderson's meticulously-constructed tenth feature adopts the format of a New Yorker-like Sunday magazine supplement to tell three very different, but equally idiosyncratic, love stories.
Todd Haynes' inventive, immersive movie is full of interesting ideas. The Velvet Underground neatly sidesteps the usual rock-doc banalities as it plunges us into the Velvets and their world.
NPR's Steve Inskeep talks to film critic Kenneth Turan about The Last Duel, directed by Ridley Scott. The story takes place in 14th century France, based on true events about a trial by combat.
Denis Villeneuve's take on Frank Herbert's novel of galactic intrigue and revolution manages to be both epic and introspective, though it doles out its story with gravid deliberateness.
There's a kind of satisfaction that comes from something living up to your expectations. But there's a different kind of pleasure that only being surprised by your own reactions can bring.