Disney's Lion King is so realistic-looking that, paradoxically, you can't believe a moment of it. The computer-generated blockbuster feels like the world's most expensive safari-themed karaoke video.
In A.J. Eaton's documentary, Crosby proves a "passionate, wry, often bellicose" storyteller who "often seems to be writing his own self-lacerating obituary."
Louis Garrel's second film as a director is a dry romantic comedy that involves a love triangle, and "watching it unfold can feel at times like an anthropological study of the French species."
The latest summer action-comedy to attempt to satirize summer action-comedies by upping the violence, Stuber wastes its two charismatic leads in an unfunny riff on 2004's Collateral.
Richard Billingham documented his parents' neglect and abuse in previous documentary projects. His first narrative film captures their brutality even as it affords them some measure of dignity.
Director Lynn Shelton and writer Mike O'Brien constructed an outline and got a cast of great comics to improvise the details in this agreeably loose comedy about an antique sword.
Awkwafina stars in Lulu Wang's funny ensemble drama about a Chinese American family and their elaborate ruse to pay respects to their matriarch — without ever letting on she has a terminal illness.
This "moving, sympathetic but ultimately frustrating tribute" to Marianne Ihlen inadvertently reveals the male gaze's narrow focus by defining this complicated woman as Cohen's passive muse.
An American couple attends a mysterious festival in the Swedish countryside in Ari Aster's new thriller. The haunting, hypnotic film will slowly seep into your nervous system.