DC's "rogues-do-good" answer to Marvel's Guardians of the Galaxy lacks that film's energy and charm; the result is a squalid, confusing mashup of tones and characters.
Ira Sachs' latest film, about a friendship between two boys, is Chekhovian in its subtlety but withholds too much and fails to attain the emotional impact for which it strives.
Bell's new film is about three suburban moms who find themselves ground down by the endless chores of motherhood. She says its creators (two men) wrote it as a love letter to their overworked wives.
In the film Equity, investment banker Naomi Bishop navigates the male-dominated world of Wall Street. Screenwriter Amy Fox discusses the film and her research, which included many interviews with women who worked on Wall Street.
In Charcoal Joe, Mosley brings his iconic private eye Easy Rawlins into the haze of the late '60s, extending a literary odyssey through the transformation of black Los Angeles.
Actor Matt Damon and director Paul Greengrass pair up again for another chapter in the series about a rogue CIA assassin. Critic David Edelstein says Jason Bourne is very flashy — but not much fun.
Nixon, who died on Sunday, was a classically trained actress who mostly worked behind the scenes. She dubbed vocals for many films, including My Fair Lady.Originally broadcast in 2001.
In Jason Bourne, the latest in the secret agent series starring Matt Damon, director Paul Greengrass presents a thriller relevant to today's world, says Kenneth Turan of the Los Angeles Times.
The panel tackles the Netflix horror thriller Stranger Things before discussing favorite weddings from movies and TV. Then, as always, it's on to What's Making Us Happy this week.