Documentary Spotlights Perfectly Accessorized Iris Apfel
Renowned documentary filmmaker Albert Maysles' last film, Iris, is a portrait of 93-year-old style icon and self-described "geriatric starlet" Iris Apfel.
Movies
TV And Hollywood Pattern-Maker Sells A Three-Decades Cache
Exciting and colorful Hollywood treasures turn up at the estate sale of a woman who made patterns for renowned costume designers Edith Head and Bob Mackie.
ABC Brings Muppets Back To Prime Time As News Emerges About Fall Shows
TV networks officially reveal fall schedules next week, but word has already spread on some new shows and cancellations. NPR TV Critic Eric Deggans says early trends include more diversity, big names.
Schwarzenegger Meets Zombies In A Haunting, Slow-Paced New Film
The zombie movie Maggie examines an array of cultural anxieties such as plague, environmental catastrophe and big government. Critic David Edelstein says the film is more art flick than blockbuster.
Arnold Schwarzenegger Gets Serious About Fatherhood And Zombies
In Maggie, the former governor plays a father trying to prevent his daughter from "turning" after she's caught up in an attack of the undead.
'Saint Laurent,' A Radical Man Of Fashion
Bertrand Bonello's portrait of famed designer Yves Saint Laurent is cannily edited so that the film recalls the designer's impeccably cut styles.
Crowdfunding Sought To Release Orson Welles' Unfinished Final Film
Producers ask for $2 million on the website Indiegogo to complete The Other Side of the Wind. Welles had intended for it to be his comeback movie.
'The D Train' Rumbles On With Another Hunk/Schlub Comedy
James Marsden and Jack Black play two men whose lives have taken very different paths after high school.
'I Am Big Bird' Finds An Artist Under The Feathers
A new documentary looks at the mechanics and the humanity behind the work of puppeteer Caroll Spinney, who's been Big Bird and Oscar for years.
Kurt Cobain Speaks — Through Art And Audio Diaries — In 'Montage Of Heck'
"The idea was not to tear him down, nor was it to put him on a pedestal," says director Brett Morgen. Instead, executive producer Frances Bean Cobain told Morgen to "make it honest."