Writer-director Jonathan Levine could watch Hal Ashby's Coming Home a million times. "I think that the distinctive thing about Coming Home is the love story," he says.
A mystery of the animal kingdom: how do owls turn their heads 270 degrees without damaging their blood vessels? At last an answer, published this week in Science. Fabian de Kok-Mercado and Philippe Gailloud dissected and x-rayed owls to discover how the birds do the twist.
The Oscar-nominated documentary directed by Dror Moreh is not a defense of Israeli security policy, but a critique. The six Shin Bet heads Moreh interviews may believe in the tactics they devised, but it's the overall strategy they think is flawed.
Academy Award-winning actor Kevin Spacey and Oscar-winning director David Fincher team up for a new Netflix original series that premieres Friday. House of Cards follows a Machiavellian politician as he schemes to take down the president of the United States.
As the alcoholic paterfamilias Frank Gallagher on the Showtime series Shameless, the actor enjoys portraying a man with a dark side. But he says it's Frank's better qualities that make him sustainable as a character.
Buster Keaton, the great genius of silent comedy, gets celebrated in a 14-disc box set that contains all of his classic silent comedies as well as a raft of shorts and extras.
Robert Redford's annual Sundance Film Festival draws thousands of filmgoers and millions of dollars to snowy Park City, Utah. But a state subsidy contributing to the event is drawing controversy from some conservatives, who say films screened at the festival don't reflect the values of the state.
In an age of werewolves, hormonal vampires and endless sequels, horror movies have lost some edge. But Mama, starring Jessica Chastain, is an entertaining step in the right — which is to say backward — direction.
In film and TV, pop culture references are meant to give a knowing nod to those in the audience who understand the joke. But in an increasingly segmented and diverse country, those jokes may be pulling in fewer laughs.
The veteran actor makes his directorial debut with a film about four aging opera singers who stage a concert at their retirement home. Starring Maggie Smith and Tom Courtenay, the film explores friendship, memory and the time that remains.