Ella Fitzgerald's talent for vocal improvisation made her one of the most important singers of all time. Watch Jazzmeia Horn explain what scat singing is and demonstrate Fitzgerald's trademark skill.
"I know I'm no glamour girl," Fitzgerald reportedly once said. But generations of fans inspired by her elegant style over the years, including writer Holly Gleason, beg to differ.
Hold music is camouflaged sound — it needs to obviously exist, while also barely doing so. Small wonder, then, that its biggest "hit" does none of that.
Over a decade, the Los Angeles-based singer has built a career — one that peaks on her new album — and a musical identity on the idea that greatness doesn't have to be emotionally tidy.
Critics, scholars and fans are often caught up in the idea of an ideal black sound, using vocal tone to measure racial identity. What becomes of the black female singer who defies this categorization?
In the 1970s, Fitzgerald became the face (and glass-shattering voice) of Memorex tapes. It fueled a career revival that extended her relevance and positioned her to pass the torch to a new generation.
The famous contralto made a practice of amplifying black artists, especially black women artists, as seen through her collaborations with composer Florence B. Price.