To cope with the tumult of a difficult week and the anniversary of the #MeToo movement, music critic Ann Powers spent the week with music from women expressing one thing: Being fed up.
"No Children" began as a darkly funny song about divorce. Today, it's something more: a vessel for raw-throated catharsis and a chance to indulge your worst self.
In many ways, Lafourcade has left her mark on the 21st century by looking back. Her work has freed music that for many younger listeners had been trapped in amber, and imbued it with new life.
Sylvester's 1978 dance hit transcends its moment and even the gay rights and AIDS awareness movements it came to represent. It's an anthem to liberation — of desire, and of the body.
Though "Call Me Maybe" has been a defining moment of her career, it's the aftermath of her 2015 albumthat's come to define who Jepsen is on social media: the subject of a bottomless well of memes.
The Blink-182 hit was a surprise in 1999: a raw look at suicide and depression from a band more known for naked antics and fart jokes. Two decades later, it stands as an unlikely salve for survivors.
Minaj indelibly changed the hip-hop landscape in the past decade. She wanted the throne. Now that she has it, she isn't going to relinquish it to anyone — male or female — gunning for that title.
The new book Burning Down the Haus fastidiously traces the self-discovery of punks in the socialist dictatorship of East Germany, and the violence and repression they endured on the way to freedom.