When Yamen Mekdad and Mark Gergis met in 2018, the pair combined their love of Syrian cassettes into a project aiming to save them — and share them more widely.
Forget what F. Scott Fitzgerald said about American lives and second acts, Gibbs is on his third or fourth. $$$ is a rewarding listen that sometimes labors under the weight of a forced progression.
We close out our Youngbloods series with saxophonist and composer Immanuel Wilkins, who takes us into the relationship between his faith and his compositions.
Interpol may have been central to a post-9/11 New York scene, but it also might be considered one of the biggest Mexican rock acts of the last two decades.
Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.
Seven months after it debuted at the Rothko Chapel in Houston, Tyshawn Sorey relaunches his work Monochromatic Light (Afterlife) on a monumental new scale in New York's Park Avenue Armory.
The massive sound of The Aristocrat of Bands, a highly respected HBCU marching band, and the overflowing history of gospel combine on a single album (with a great title) — 'The Urban Hymnal.'