On Changes, his first studio album in five years — after a trying decade-plus of growing up in the digital spotlight — Justin Bieber sounds reinvigorated.
Kevin Parker's fourth album as the leader of Australian rock band Tame Impala comes after a five-year gap. It's music that comes wrapped in its own bubble, far from the cascading miseries on the news.
Roberta Flack is only solo artist to win two consecutive Record of the Year Grammys and she helped usher in an enduring style of R&B. Could she be pop music's most under-appreciated influence?
The latest album by the rapper formerly known as Mos Def will be heard by very few people — a fact that represents everything fascinating and frustrating about his last decade.
The Scottish band's 2000 album XTRMNTR isn't as well remembered as its thematic twin, Radiohead's Kid A. But its dark premonition of a world in socioeconomic crisis looks startlingly accurate today.
Hailed as a neo-soul smash in 2000, D'Angelo's Voodoo now feels decades more lived-in than its peers. The album's engineer, Russell Elevado, says sounding "old" became the key to sounding timeless.
Mackenzie Scott's fourth record, which came after a period of self-reflection and romantic pursuit, is fixated on desire. "I want people to understand that women can burn for each other," she says.
Olney had a gift for character — creating them in his lyrics, inhabiting them in his performances — and that literarily bent musical talent made him a fixture in Nashville for decades.
Two reports released recently shine a light on the decade-long trends shaping our relationships to listening, from the dominance of video to the vinyl "boom" that isn't quite.