For decades, Cologne-based violinist Geoffry Wharton has played jazzy crowd-pleasing encores written in the 1930s by an obscure composer, Audrey Call. Wharton discovered a spooky connection with her.
"It wasn't like I had to go looking for the drugs and the sex," Anthony DeCurtis, author of Lou Reed: A Life, told Fresh Air in 2017. "Lou wrote about it ... so I felt it was fair game."
Something truly magical happens when Amelia Meath, Molly Erin Sarlé and Alexandra Sauser-Monnig are in the same room, huddled around the same mic, breathing and harmonizing together.