The Australian artist's latest album Tell Me How You Really Feel is marvelous for many reasons. Barnett discusses writing about doubt while exuding total ease and artistic certainty.
Of the life of an artist — particularly for women of color — the fearless Fatima Al Qadiri says: "Everything can be an act of joy and beauty until it gets put out. Then it can get dangerous."
His voice and style align him more with rising R&B crooners than with country hunks, but R.LUM.R is part of a Tennessee pop scene pairing classic song craftsmanship with innovative production.
Herzig's trajectory probably doesn't much resemble what you'd expect a professional Nashville songwriter's career to look like. That seems to suit her just fine.
The first time Kidjo heard Talking Heads' "Once in a Lifetime," she knew it was an African song. Almost 35 years later, her new cover album sounds as if it really had been conceived in West Africa.
At the Country Music Hall of Fame and Museum, an exhibit casts the Outlaw country movement of the 1970s as a fluid exchange between the Nashville establishment and raucous outsiders.