Music Reviews

Across 11 tracks of coquettish synth-pop cut with neon, Karin Dreijer is not just frank about her sexual desires, but how she desires them.

With spitting synths and vocals drenched in reverb, the Brazilian trio's variegated take on deathrock, post-punk and psych challenges the confines of each genre.

"Good Grief" celebrates the idea that there's much to gain from the losses and pain we mourn — but only once we've gained the perspective necessary to put them behind us.

The wizard behind the curtain for acts like Jessie Ware and Sam Smith offers a vivid meditation on his out-of-office mental state, somewhere between happy and sad, asleep and awake.

The Nobel Prize winner's latest bootleg set focuses on the parables and homilies he wrote for his "Christian trilogy," including a previously unreleased gospel track called "Making A Liar Out Of Me."

The Austin duo makes tender, thoughtful music fit for long drives and existential dread. Its new album, Cranberry, comes out Feb. 9.

Jones can make a sprawling sea of fans feel like a small gathering of confidants. Hear a live version of the Day Breaks cut from a deluxe edition.

Shamir Bailey's stripped-down, self-produced songs are brimming with self-assurance and confidence, even in the midst of anxiety and heartache.

The Portland band's ninth album is a sprawling, sumptuous testament to Weird America.

The Toronto-based songwriter's new album beckons the listener into an intimate space where daydreams can go undisturbed.