Featuring members of Brilliant Colors and Limp Wrist, Flesh World's new album, Into The Shroud, both sharpens and expands the band's twilight-skating post-punk.
With a video set on the Las Vegas strip, Cameron sings about a wound deeper than the layers of synth carved into the first single from Forced Witness. Angel Olsen sings backing vocals.
Noise-rock thrives on ugly. It is the parasitic, shape-shifting monster of music, and Couch Slut is here to explosively mutate into a creature from The Thing.
Featuring members of Pygmy Lush and Flasher, Big Hush's first two cassettes are getting pressed to vinyl as Spirit/Wholes, with a new song included that feels like a major step-up.
Since the 1990s, New York trumpet player Steven Bernstein has been the ringleader of this occasional quartet. This recent album was recorded at a home studio and its rough-hewn quality is just right.
Tucker sinks into the redwoods and roots out something ancient and always, and this is Cold Spring's brooding, but gradually ecstatic confirmation ritual.
Berry, who died in March at the age of 90, left behind an album of new material, his first such collection since 1979. Rejecting nostalgia, Berry's last project is interesting and energetic.
Detroit, Havana and Mexico City come together in the group's bilingual double album, Telephone/Teléfono. The twin songs "Hummingbird" and "Colibrí" illustrate the power of lyrics in translation.