The band's first new record in nine years confronts environmental ruin and pandemic-era isolation, but ends at a vantage of hope — one that sounds like it took all the intervening time to reach.
Nobody sounds like Waldron, a fact proved by a new 2-CD recording the artist made during a 1978 solo concert. Searching in Grenoble is a good introduction to the pianist's compelling sound.
Reed died in 2013. A new collection, recorded in 1965, captures the earliest-known versions of some of the Velvet Underground's best known songs, including "Heroin" and "Pale Blue Eyes."
Kurt Wagner's Nashville collective has always been an expression of absolute possibility. The Bible, his best album in a decade, points that instinct at life's most inescapable truth.
On his new album the drummer, composer and self-described "beat scientist" makes music by way of an elaborate hybrid method combining improvisation with careful editing. It sounds like magic.
On Blount's new concept album, the singer, scholar and multi-instrumentalist reimagines field recordings of spirituals to tell a story about a time after the climate crisis has destroyed the earth.
As a songwriter, Alex Giannascoli has long taken a mutating, playfully distorted approach. But on his new album, full of songs about morality, he astutely focuses every magic trick in his discography.