Away is a rebuilding-yourself-from-the-ground-up kind of record, and singer-songwriter Will Sheff uses the occasion to take his time and let his songs breathe.
A new drama series on Netflix chronicles the rise of early hip-hop music in the late '70s. Rock critic Ken Tucker says the show's soundtrack is dense, complex and delightful.
Italian filmmaker Nanni Moretti's latest is a charming, heartfelt and slyly satirical meditation on cinema — which exists at the crossroads of fantasy and reality — and the loss of a parent.
As one of the very first bebop tenor saxophonists, Teddy Edwards mixed awesome technique with irresistibly slinky phrases. Jazz critic Kevin Whitehead reviews two reissues, Inimitable and Feelin's.
On the band's new album, Luz Elena Mendoza's voice is fully enmeshed in the arrangements, which gives her bicultural storytelling an almost otherworldly feel.
On its new album, Matthew Cooper's ambient-music project suggests that noise and beauty are interdependent, making room for celestial voices and jet-engine roars alike.
Singer Dan Klein died of ALS earlier this summer, but at least his rocksteady band was able to see its collective vision through on this one sublime album.