25, Adele's follow-up to the best-selling album of this decade, isn't quite a decisive split with her past work. But it radiates confidence and commands attention.
Brad Mehldau's new album is a collection of recordings from his live performances, across a broad range of styles and genres. Reviewer Tom Moon says he never sounds out of his element, playing Nirvana like it's Brahms, and Brahms like it's Nirvana.
The British singer-songwriter who came to prominence during the punk-rock era of the late 1970s sings about his adopted homeland in his new album, amERICa. Critic Ken Tucker has a review.
The posthumous release of an album recorded 10 years ago showcases the interplay between the late trumpeter Kenny Wheeler and his longtime pianist John Taylor. Critic Kevin Whitehead has a review.
Eight years after the D.C. trio's last record, Backlash, Baby is a desperate, full-tilt pop-punk record that's just trying to make sense of a backwards world.
A double-length collection of high points from the group's summer shows demonstrates how the Dead's songs can actually live and breathe when the conditions are right.
Radiohead's guitarist delves deep into the music of northern India alongside Israeli-American singer and composer Shye Ben Tzur and 19 Rajasthani traditional musicians.
Ken Tucker says that Justin Timberlake's duet with Chris Stapleton the Country Music Awards and Meat and Candy, the new hip-hop-influenced album by Old Dominion, showcase a new style of country.
The 59-year-old's tenor has grown rawer, lending his inquiries into heartbreak an air of menace. He can still sing like a dream, but Isaak's gotten better at capturing nightmares, too.