Music Reviews

Oregon saxophonist Rich Halley takes inspiration from the Wallowa mountain range on his new album Crossing the Passes. On Boss of the Plains, Chicago-based trio Wheelhouse makes music that evokes the Great Plains and wind chimes on a porch when the weather changes.

Virginia's No BS! Brass Band taps into, and ultimately expands, the brass-band tradition. Whether kicking it with funk or clearing room for a screeching free-jazz solo, the group redefines what large brass ensembles can do.

The bulk of Friedberger's work thus far has been recorded with her brother, Matthew, under the name The Fiery Furnaces. For this new solo album, her second, she's written with a new collaborator in singer-songwriter John Wesley Harding.

In 1958, Lewis suffered a precipitous decline in popularity when people learned that his new wife was not only 13, but also his cousin. Nobody would touch his records. Then, in 1963, he signed a deal with Smash and it looked like things were getting better.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

Produced by Wilco frontman Jeff Tweedy, the soul singer's new album follows a narrative arc of struggle, acceptance and salvation. Tweedy's arrangements leave room for Staples' full range of vocal expression, from an R&B growl to gospel fervor.

As a Japanese expatriate in Berlin, jazz pianist Aki Takase has an outsider's perspective on jazz and insider wisdom that comes from careful study. Her new album of Duke Ellington tunes reflects influences such as Thelonious Monk and Arnold Schoenberg, as well.

West has been busy in both the music and gossip worlds: He's just released a new album, titled Yeezus, and fathered a child. Rock critic Ken Tucker says West's constant blending of his public life and his music makes his new record all the more striking — and at times problematic.

After months of speculation, West's latest album reveals itself as a trim, 10-song, 40-minute effort that's heavy on electronic and industrial influences. It's also another piece of the puzzle to one of pop music's most compelling — and frustrating — figures.

The 23-year-old jazz phenom's debut album showcases her takes on vintage jazz and blues numbers by Bessie Smith, Fats Waller and others. You can trace some of her effects back to jazz greats like Sarah Vaughan, Betty Carter and Abbey Lincoln.