A trio of critics discuss the mercurial pianist's personal take on Beethoven and Rachmaninoff and what it means to color outside the lines in classical music.
Hersch often works in small settings, either as a piano soloist, or in a duo or trio. But he amplifies his message on his latest album by teaming up with Germany's WDR Big Band.
Sleater-Kinney's longtime drummer is leaving the band — but not before they release one last album together. It marks the end of an era for the indie rock power trio.
What happens when an artist you count on to be one way suddenly isn't? For writer Hanif Abdurraquib, appreciating the left-turn album The Center Won't Hold has meant letting go of years of nostalgia.
Justin Vernon shares thoughts on identity and devotion to higher ideals in ways that reflect (and sometimes even celebrate) deep engagement with the outside world.
Para Mí, the debut album from self-identified Chicano singer Cuco, masterfully layers his signature dream pop sound with instrumental abilities and Chicano influences.
Titus Andronicus, fronted by Patrick Stickles, favors a louder, more aggressive style in its new album. While the music sounds simple and raw, the ideas behind the songs are quite complex.
The married musicians offer their own synthesis of folk, country, rock and the blues on their new album. The music that results is unsettling, with a beauty that's both comforting and soothing.