David Axelrod was a genre-fusing genius, a visionary artist in a boxer's body, a producer and composer who propelled popular music into an unknown future.
In a year when the likes of Frank Ocean and Justin Bieber have dismissed the awards show as irrelevant, Mandalit del Barco speaks to a few artists for whom a Grammy win remains a very big deal.
The Boston Symphony Orchestra is up for two Grammys for its series of recordings of Shostakovich symphonies. It was recorded in front of a live audience, but it's not one seamless performance.
Esmé Patterson has dropped the banjos and folk from her previous project Paper Bird, and in their place are electric guitars and a backing band worth getting behind.
Sherrill Milnes calls it "an avalanche of sound." Jessye Norman says it's "a cloud filled with silver." Singers and critics talk about the amazing voice of Leontyne Price on her 90th birthday.