How about some good — even great — news from American orchestras? Today and tomorrow, four of the country's biggest ensembles are playing world premieres by prominent composers.
While the Nazis may have used the children's opera Brundibár as a propaganda tool, it also was a symbol of hope for the children who performed it. It is now a way to remember profound loss.
Jazz's highest-profile competition recently crowned a new victor in a star-studded gala. But for the Thelonious Monk Institute, competition is only a small part of its desire to be back out West.
A batch of lyrics that Bob Dylan wrote in the late 1960s were given by Dylan to producer T-Bone Burnett, who came up with the idea to have some contemporary musicians set the words to music.
If we now know about albums languishing in the clutches of major labels, are they more likely to see the light of day? Will they be any good when they get here?
In two years since releasing his major label debut, good kid, m.A.A.d. city, Lamar has moved into hip-hop's spotlight full time. Microphone Check's Frannie Kelley and Ali Shaheed Muhammad explain why.
"I wanted a chance to have other conversations with him," Peter Miller says of his late grandfather, whose letters to his wife inspired Miller's new album with We Are the Willows.
Fiddler Mark O'Connor claims Shinichi Suzuki, creator of the popular Suzuki Method of violin instruction, was a fraud. O'Connor has created his own teaching system.
It sounds like something out of a Dan Brown novel. But a secret group of 13 gathered earlier this year to exhume the preserved heart of one of the world's most beloved composers, Frederic Chopin.