The dizzy, saccharine music of the London-based record label PC Music is invested in the most addictive pop of modern history, but the label's songs feel detached, almost cynical.
It begins, "Do you remember?" — and we supply the memories. Dan Charnas tells the origin story of the Earth, Wind & Fire hit that still unites generations on the dance floor.
The legendary crooner and pop superstar have a natural chemistry on their new collaborative album, which might introduce a new generation of pop fans to the world of jazz.
"It's about us breaking up as a couple and also about changing weather," Phil Elverum says of "I Want Wind To Blow," the opener from The Microphones' 2001 album, The Glow Pt. 2.
Led since the late '70s by co-founder David Thomas, Pere Ubu has created something far more rich, experimental, and emotional than the spooky, horror-movie that Carnival of Souls is named for.
A slow fade, rather than a hard stop, used to be the popular way to end a pop song. NPR's Robert Siegel speaks with Slate reporter William Weir about the fade-out's history and recent decline.
A restless formal inventor who draws from science, spirituality and extensive personal travels, Coleman has also mentored many major jazz musicians to develop their own languages and systems.
It began as a conversation over a beer. Now, a collaboration between musicians across the Nile basin has expanded to concert tours, albums and courses at universities in the U.S. and East Africa.