First Listen: The Suffers, 'Everything Here'
On the group's second album, Kam Franklin and The Suffers revel in the multidimensional, multicultural possibilities of their take on soul.
New Music
First Listen: Deafheaven, 'Ordinary Corrupt Human Love'
On Ordinary Corrupt Human Love, the band's first album in three years, Deafheaven leans more fully than ever before into elements that inspire alternate outrage and obsession.
First Listen: Luluc, 'Sculptor'
The Australian folk duo's follow-up to 2014's wonderful Passerby broadens Luluc's palette and subject matter in rewarding ways.
Bad Bunny's Double Knockout: Our Favorite Latin Songs This Week
On this week's playlist, Bad Bunny blesses us with not one but two summer bangers and De La Ghetto throws it back to childhood romances with the help of Maluma and Wisin.
American Anthems: The Songs That Unite Us
Sometimes it's a stirring call to arms or a recognition of injustice. But an anthem always captures something much larger than itself - the spirit of a community, unified in a common feeling or cause.
Heavy Rotation: The Songs We're Obsessed With Halfway Through 2018
For this month's edition of Heavy Rotation, stations selected songs that their listeners couldn't get enough of during the first half of the year.
In 'High As Hope,' Florence + The Machine Embraces Optimism
The new album preserves Florence Welch's big, torrential melodrama, but it feels less like a storm than the soft light breaking in afterward.
New Music Friday For June 29: Seven Albums You Should Hear Now
This week's best new albums includes Drake's highly-anticipated double album, Scorpion, Florence and the Machine's High as Hope, previously unheard music from jazz legend John Coltrane and much more.
Hear A Never-Before-Heard, Piano-Only Demo Of Guns N' Roses' 'November Rain'
The 10-minute recording, from a new box set, finds Axl Rose alone at a piano, banging out the bones of what would become one of his biggest hits five years later.
Norwegian Indie-Pop Band Beezewax Returns With 'Rainbows'
The long-running band's first single in four years mixes exuberant guitar-fuzz with a danceable ennui.